Suffering For Your Art
Posted on : 06-02-2010 | By : Guest Blogger
In : Brilliant Books!, Guest Blogger Alert!
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From TBM Guest Blogger, MG Harris…
Is it really necessary to actually experience the real-life locations in which we set our novels? Anthony Horowitz loves to travel to the places where he sets his Alex Rider and Power of Five novels – he’s been to Perth, China, Peru and doubtless many other exotic locations. Michelle Paver spends time living wild in the northern wilderness where her Chronicles of Ancient Darkness stories are set.
But then Costa Winner Stef Penney wrote The Tenderness of Wolves without setting foot in any place which resembles the wintry Canadian wilderness of her novel.
And fantasy novelists, brave people, have to invent everything! I guess at least no-one can argue that they’ve got the facts wrong.
I’m with the travellers. But only because it’s fun! I’ve tried it both ways. Reality can inhibit the imagination. On the other hand, it’s so much easier to describe a place you’ve actually experienced with all five senses.
The idea for The Joshua Files came to me during a long stint as a bit of a cripple after a skiing accident. I pretty much confined myself to my bedroom, intending to write a best-selling novel. (Ha!) It would be one way to make up to my husband the grueling 3 months during which he had to hold down a full-time job plus all the housework and childcare.
Okay, the first two novels I wrote whilst in crutches didn’t end up getting published but both of them were based in a fictional universe where a 2012 prophecy predicts the collapse of technological civilisation, and the struggle between secret societies and government agencies to control an ancient technological solution.
Like many authors I’d always hoped to write. But I’d never really known what kind of book I’d write. Then in summer 2004 I picked up The Da Vinci Code. I enjoyed the mixture of daftness and seriousness, the playful intellect of the novel (or for what I read as such!). It hadn’t occurred to me that people would so enjoy something which blended fact with fantasy in such a monstrous yet enjoyable way. “Surely I could write something similar,” I thought. “It’s got to be worth a try!”
Stuck in my bedroom, alone for up to ten hours at a time for the first time in my life, the rampantly escapist nature of a conspiracy thriller set in exotic locales seemed like the ideal writing project.
But…I wanted to experience new and exciting places – at least in my mind.
So here’s a little secret – the first Joshua novel was set entirely in places that I’d never actually been!
I’d been to similar parts of Mexico but not those actual locations. The writing was based on Web research and memories of road trips to other places in Mexico.
Since then however, the research trip is an essential part of the writing process.
In fact – the very week I received the advance for Invisible City, I booked a family trip to Cuba, my first official research trip. (Another as-yet-unpublished novel…)
We eventually did manage to visit the locations in The Joshua Files. Here’s a couple of videos, the first from a trip in autumn 2007, the second from 2008 includes scenes from Brazil, the setting for the latest Joshua story, Zero Moment.
So – where do you stand? Travel or stay home?
Check out more Joshua Files fun at www.mgharris.net

always research! it makes it so much better ^^
I always have to smell a place before I write about it. So Cornwall, Cumbria and Brittany all had to be visited for the Shapeshifter series (although Cornwall had already been done a few times!).
Also had to revisit Wookey Hole caves for Dark Summer (and was allowed into a secret cave and to have all the lights turned off!). Went to a water mill on the River Ouse (lovely day trip!) for Wishful Thinking and had to go to Harvey Nicholls for the first time last month for the current book I’m working on – and will have to do Southern Ireland before the year is out for another. What a brilliant excuse to faff about in an authory way in the destinations of your choice!
The only place I’ve written about with going to it is a North Sea oil rig – and I really did want to! Had to use my imagination and the smell of Southampton docks to do that bit.
You do get surprised by locations when you actually visit and I definitely think it can add to your writing, in the way that talking to people rather than just searching on line always brings fascinating human detail that you can’t get any other way. I LOVE the research.
Can’t wait to read Joshua Files, MG. Whenever I see one, though, it’s always the 2nd one! I must order No 1…
What a difficult question! I always prefer visiting the location I’m writing about. I’ve been lucky enough to visit many of the countries featured in my HERO.COM and VILLAIN.NET series. It really adds to the overall ambience.
However, I have used some locations that I haven’t had the chance to visit, such as Antarctica, or are very difficult to get to: Iraq or the International Space Station (as much as I would love to go there!) – in which case I feel it’s the writer’s duty to research as much as possible (thank goodness for Google Earth, at least my action beast follow real geography!) – then let the imagination fly.
I definitely had the sense that you were both travellers, Ali and Andy! (esp since Andy keeps tweeting from all over the world!)
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But yeah – dodgy areas like Iraq and space don’t give us much option but to invent.
It’s like you say, Ali, it’s the human detail. Can’t beat it. Could probably invent if it super-talented like Stef Penney. But I’m quite lazy too
I’m a traveller, too … but then I’m guessing you had worked that one out! It’s taken me eleven books to realise that I needed to write one set somewhere real and exotic so that I have a good excuse to go there. I always was a bit slow on the uptake …